However the 335 will feedback easier in a very cool way. My 335 vs Les paul custom is different but it isn't obvious which one is semi hollow in a blind test. When I'm playing it, I can feel the difference but recorded sound isn't super notably different with a semi hollow body as it is with a full hollow. Pretty much anything that will stay in tune can be made to sound good. From what I have seen the Kemper is more forgiving to poor guitar & pickup choices than tube amps are. I have 57 classic plus in the bridge and 57 classic in neck and it is amazing with the Kemper and will sing with beautiful harmonic controllable feedback. IMO you have to turn the amp up a bit to drown out the acoustic sound otherwise it can sound "out of tune" for some weird reason that I have found on 335 types. And not the electronics, you could hear it in the body. The Memphis models were brighter and thinner and mine was noticeably darker,thicker and toneful. I played 3 different ones, two (newer) Memphis and one 1999 Nashville before buying. Did yours? I consider that period to be of the most beautiful 335s ever as well as reasonable. (and the Britt profiles)Many of those in that last Nashville era (for regular production) came with an unusual beautiful tiger stripe flame finish. I play marshal profiles from MBritt and they sound amazing.
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